STELA
NEMČEV

I don't just build around algorithm rules or three-second hook formulas. I build around feeling the energy of a scene, the pacing that makes silence land, the moment in a story that actually means something. Whether it's a 15-second reel, a post, a story or a long video, with an actual narrative, my job is the same: make someone feel it, not just watch it.

For the past 6 years I've worked across different formats - short-form content, longer stories, brand films, and static posts and graphics designed in Canva and Photoshop - cutting videos in CapCut, Premiere Pro and DaVinci Resolve. I don't approach an edit like a checklist. I approach it with intuition: what does this footage want to say, and how do I get out of its way so it can say it. Alongside editing, I have also run the strategy and paid campaigns behind content for brands across fashion e-commerce, dental, wine, and nightlife, managing over $10M in combined ad spend.

Before any of this, I ran international conferences for AIESEC, hundreds of people, a dozen moving parts, real pressure. It taught me how to stay calm and make fast decisions, which turns out to matter just as much in an edit bay as it does on stage.

I work with brands directly now, based in Serbia, as a one-person team, bringing story, energy and instinct to every project instead of a formula.

If you want content people actually feel, not just scroll past, let's talk.